Deborah Jones of The Australian has a review of ABT’s Swan Lake with Misty Copeland and Alexandre Hammoudi from the Wednesday matinee in Brisbane, Australia. She liked Misty’s debut but was mixed on Alexandre’s performance.
Copeland is tiny, but strong and womanly. She is not frail. Her Odette, then, instantly reminds one that swans are birds of considerable power as well as grace. Although she has been made a captive she is not a victim. We are reminded, too, that Odette is not just a swan. She is the Swan Queen.
Copeland…etched so many moments vividly and passionately, whether filling all the music with plush legato phrasing or commanding attention with sharp accents. At the end of the second act, for instance, Odette joins the flock of swan maidens and, standing centre stage, does a series of swift rising and subsiding steps, pushing away strongly from the ground and beating her feet in the air. She is a creature of both earth and sky.
Hammoudi undoubtedly would have wanted to dance more cleanly than he did. Although his partnering and his connection with Copeland were tremendously satisfying and while he created a legible, appealing character, his finishes were often blurred and his line lacked drama.